Thursday, May 17, 2012

Classic Plot Line


This week I am in Atlanta attending the Festival of Homiletics. What are homiletics, you ask? Preaching. For four-and-a-half days, I am immersed in sermons, lectures about sermons and worship. It has been a rich experience thus far, and promises even more.

Craig Barnes, one of those who preached and then gave a lecture, spoke about the classic plot line from ancient times until today. Orientation. Disorientation. Re-orientation. Life is going along. Whether smoothly or not, it is a pattern to which we have become accustomed. Then some crisis occurs—health, death, war, crime, whatever—and the pattern of life becomes disoriented and we are impelled into an epic journey. At some point, there comes a resolution, a re-orientation where we at least have gained some insight, and maybe even a sense of peace.

On this plotline, the primary interest is in the second stage because that’s where the drama is, that’s where we will make decisions about our life. Will we simply grieve over what we have lost or will we turn towards the new future? Do we simply settle into a new pattern whatever it is or do we reach for hope?

A lot of what I have been dealing with over the past year has been in that second stage of the plotline—disorientation. The patterns of my life changed drastically with Jeff’s illness and death. I don’t know how long this second stage will last. What will the shape of my life look like? I don’t know. I do know that while I grieve our loss, I am also looking forward. This time in the middle is just going to have to be somewhat uncomfortable while I travel the road of disorientation.

I also know, as Barnes reminded us, that Jesus stood outside the tomb and called Lazarus forth into life. It was Lazarus’ choice to move towards life and hope.

John 11:43-44
When he had said this, he cried with a loud voice, ‘Lazarus, come out!’ The dead man came out, his hands and feet bound with strips of cloth, and his face wrapped in a cloth. Jesus said to them, ‘Unbind him, and let him go.’

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